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IGNITE AMPS (site web)

     
Ignite Amps was founded by two Italians, fans of guitars and amps. They released their first amplifier simulator, NRR-1, on November 12th, 2010. All of their products are available for Windows in 32 or 64-bit VST format, and for Mac in AU or VST formats.

On this page

Guitar amps
Emissary - The Anvil - NRR-1

Bass amp
SHB-1

Overdrive stomp pedal
TS-999

Downloads

- GUITAR AMPLIFIERS -

Emissary version 1.0
(ignite_amps_emissary_1_0_0_win.zip - 11.4 MB)

The Anvil
(ignite_amps_the_anvil_1_0_0_vst_pc.zip - 1 MB)

NRR-1 version 2.0
(Ignite Amps NRR-1 2.0.0 VST PC x64.zip - 1.03 MB)


- BASS AMPLIFIER -

SHB-1 - 64-bit version
(ignite_amps_shb1_1_1_0_0_x64.zip - 991 KB)

SHB-1 - 32-bit version
(ignite_amps_shb1_1_1_0_0_x86.zip - 924 KB)


- OVERDRIVE STOMP BOX -

Ignite Amps TS-999
(Ignite Amps TS-999 1.5.2 VST PC x64.zip - 919 KB)


(Mac versions available on the official website)

These amplifier simulators are provided as "DLL" files.
They must be used within a host software, like a D.A.W., and are therefore not usable alone..
Click here to know how to use them.

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EMISSARY

A 2-channel tube amp, created from scratch and not based on a particular real amplifier. Access the 2nd control panel with the small arrow on the bottom right corner, and there you can change the emulated tube type. You have a choice between EL34, 6L6, KT88 or no tube.

Ignite Amps Emissary
Ignite Amps Emissary

EMISSARY DEMOS

ACDC - CHIC - DEPECHE MODE - LED ZEPPELIN - METALLICA - NIAGARA - NIRVANA - OASIS - PINK FLOYD - SIMON's BLUES - SIMON's METAL - THE ANIMALS - THE DOOBIE BROTHERS - THE WHITE STRIPES

"Back in black" by ACDC

- Download preset for Emissary v1.0.0 -
- Preset screenshot -
- ACDC: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Le freak" by Chic

- Download preset for Emissary v1.0.0 -
- Preset screenshot -
- Chic: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Personal Jesus" by Depeche Mode

- Download preset for Emissary v1.0.0 -
- Preset screenshot -
- Depeche Mode: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


Solo de "Stairway to Heaven" by Led Zeppelin

- Download preset for Emissary v1.0.0 -
- Preset screenshot -
- Led Zeppelin: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Enter sandman" by Metallica

- Download preset for Emissary v1.0.0 -
- Preset screenshot -
- Metallica: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"J'ai vu" by Niagara

- Download preset for Emissary v1.0.0 -
- Preset screenshot -
- Niagara: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Smells like teen spirit" by Nirvana

- Télécharger le preset "Crunch" pour Emissary v1.0.0 -
- Preset screenshot -
- Télécharger le preset "Drive" pour Emissary v1.0.0 -
- Preset screenshot -
- Nirvana: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Wonderwall" by Oasis

- Download preset for Emissary v1.0.0 -
- Preset screenshot -
- Oasis: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


Solo de "Time" by Pink Floyd

- Download preset for Emissary v1.0.0 -
- Preset screenshot -
- Pink Floyd: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Simon's Blues" by Simon Chenu

- Download preset for Emissary v1.0.0 -
- Preset screenshot -
- Simon's Blues: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Simon's Metal" by Simon Chenu

- Download preset for Emissary v1.0.0 -
- Preset screenshot -
- Simon's Metal: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"House of the rising sun" by The Animals

- Download preset for Emissary v1.0.0 -
- Preset screenshot -
- The Animals: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Long train running" by The Doobie Brothers

- Download preset for Emissary v1.0.0 -
- Preset screenshot -
- The Doobie Brothers: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Seven Nation Army" by The White Stripes

- Download preset for Emissary v1.0.0 -
- Preset screenshot -
- The White Stripes: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


Download Ignite Amps Emissary (ignite_amps_emissary_1_0_0_win.zip - 11.4 MB)

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THE ANVIL

A 3-channel tube amplifier, based on a real guitar preamp designed by Andy Zeugs. It's very good, although I still prefer the NRR-1. Their GUIs are almost identical.

Ignite Amps Anvil
Ignite Amps Anvil

THE ANVIL DEMOS

CHIC - METALLICA - NIRVANA - PINK FLOYD - SIMON's BLUES - SIMON's METAL - THE DOOBIE BROTHERS - THE WHITE STRIPES

"Le Freak" by Chic

- Download preset for The Anvil v2.01 -
- Chic: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Enter sandman" by Metallica

- Download preset for The Anvil v2.01 -
- Metallica: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Smells like teen spirit" by Nirvana

- Download crunch preset and drive preset for The Anvil v2.01 -
- Nirvana: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Time" by Pink Floyd

- Download preset for The Anvil v2.01 -
- Pink Floyd: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Simon's Blues" by Simon Chenu

- Download preset for The Anvil v2.01 -
- Simon's Blues: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Simon's Metal" by Simon Chenu

- Download preset for The Anvil v2.01 -
- Simon's Metal: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Long Train Running" by The Doobie Brothers

- Download preset for The Anvil v2.01 -
- The Doobie Brothers: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Seven Nation Army" by The White Stripes

- Download preset for The Anvil v2.01 -
- The White Stripes: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


Download Ignite Amps The Anvil (Ignite Amps The Anvil 2.0.1 VST PC x64.zip - 1.23 MB)

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NRR-1

This is a 3 channel tube preamplifier and it's a very versatile wonder. It is loosely based on a Soldano X-88R. A must try, whatever your style is, from clean to Metal or Blues sound...

The latest version is 2.0, available as 32 and 64-bit VST. Mac versions are also available on the official website.

Ignite Amps NRR1 v2
Ignite Amps NRR1 v2

NRR1 DEMOS

CHIC - METALLICA - NIRVANA - PINK FLOYD - SIMON's BLUES - SIMON's METAL - THE DOOBIE BROTHERS - THE WHITE STRIPES

"Le Freak" by Chic

- Download preset for NRR-1 v2.0.0 -
- Chic: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Enter sandman" by Metallica

- Download preset for NRR-1 v2.0.0 -
- Metallica: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Smells like teen spirit" by Nirvana

- Download crunch preset and drive preset for NRR-1 v2.0.0 -
- Nirvana: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Time" by Pink Floyd

- Download preset for NRR-1 v2.0.0 -
- Pink Floyd: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Simon's Blues" by Simon Chenu

- Download preset for NRR-1 v2.0.0 -
- Simon's Blues: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Simon's Metal" by Simon chenu

- Download preset for NRR-1 v2.0.0 -
- Simon's Metal: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


Long Train Running" by The Doobie Brothers

- Download preset for NRR-1 v2.0.0 -
- The Doobie Brothers: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


"Seven Nation Army" by The White Stripes

- Download preset for NRR-1 v2.0.0 -
- The White Stripes: settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


Download Ignite Amps NRR-1 version 2.0 (Ignite Amps NRR-1 2.0.0 VST PC x64.zip - 1.03 MB)

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SHB-1

Tube amp simulator for bass guitar. Like all guitar amps of this brand, this bass amplifier is excellent and is presently the best free bass amp simulator available. Quite simply. As always with Ignite Amps, the GUI is carefully thought out, clear and very functional. You can get very deep bass sounds, or very clear ones, and even nice overdrive sounds. Together with good bass cabs impulses loaded in an impulse loader, this plugin is a high performance plugin.

Ignite Amps SHB-1
Ignite Amps SHB-1

SHB-1 - Direct raw bass sound, without any amp simulator
mp3 file


SHB-1 - All knobs in central position
mp3 file


SHB-1 - Clean sound with increased lows and "Deep" button on
mp3 file


SHB-1 - Clean sound with increased trebbles and "Bright" button on
mp3 file


SHB-1 - Overdrive sound with gain and input level knobs to the maximum
mp3 file

All above samples (except the direct bass sound) use 2 impulses simultaneously:
- One Hartke 45XL cab impulse with Audix D6 microphone in Cone Edge position at 2 inches (5 cm)
- One Ampeg SVT810 cab impulse with Earthwoks TC30 microphone in Cone position at 2 inches (5 cm)
Download Ignite Amps SHB-1 - 64 bit version (ignite_amps_shb1_1_1_0_0_x64.zip - 991 KB)
Download Ignite Amps SHB-1 - 32 bit version (ignite_amps_shb1_1_1_0_0_x86.zip - 924 KB)
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TS-999

The TS-999 is Ignite Amps' version of a Tube Screamer overdrive pedal. It is a high-quality free product, very simple to use. It is almost identical to the TSE-808 (review and download here) but the latter has a slightly less grainy sound. The TS-999 offers a bit more saturation when you turn the Drive button up.

Ignite Amps TS-999


The amplifier simulator used here is the Kuassa Amplifikation Creme, a rather unexpensive, excellent retail amp sim.


Chords, no stomp pedal - mp3 file


TS-999 - Chords, Vintage cabs - mp3 file


TS-999 - Chords, Modern cabs - mp3 file


Solo, no stomp pedal - mp3 file


TS-999 - Solo, Vintage cabs - mp3 file


TS-999 - Solo, Modern cabs - mp3 file
Download Ignite Amps TS-999 (Ignite Amps TS-999 1.5.2 VST PC x64.zip - 919 KB)

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DEMOS SETTINGS

Miscellaneous

Indications - Microphone positioning

Guitar amplifier simulations

ACDC, Chic, Depeche Mode, Led Zeppelin, Metallica, Niagara, Nirvana, Oasis, Pink Floyd, Simon's Blues, Simon's Metal, The Animals, The Doobie Brothers, The White Stripes

Indications

All guitar parts were played by Simon Chenu (guitar player, pianist, drummer, singer, guitar teacher) with three different guitars:
* Les Paul-shaped guitar, the brand is SR Guitars, equipped with 3 pickups: a modern Humbucker neck pickup, a vintage P90-like middle pickup, a vintage Humbucker bridge pickup.
* Fender Stratocaster American Deluxe with stock pickups.
* Fender Telecaster American Deluxe with 2 Humbucker custom pickups : The neck pickup is a Lollar Regal, the bridge pickup is a Fender Wide Range. Simon used the Lollar for demos with distorsion, and the Fender for clear demos.

For each simulator tested:
* Each demo was recorded with all of the three guitars described above,
* Each demo includes two guitar tracks, recorded separately (no copy and paste), and panned right and left in the stereo field.
* With each demo, two different impulse responses (different microphones) were used with each guitar.
* No distorsion pedal was used, in order to show whether or not the simulations can produce the distorsion needed in some musical genres.

The settings of each demo are identical for all three guitars. Some demos will sound better with one guitar than it will on the other two. For instance, in Nirvana's demos, the sound of the Mercuriall demos recorded with a Telecaster is closer to the original sound than what I got with a Les Paul or a Stratocaster, because I made the settings for Telecaster first.

Ideally, each amp sim tested should use different impulses, in order to find the microphone and the positionning that fits the amp best, as you would do when recording real amps with real microphones. Unfortunately, this would take me a considerable amount of time to do, and I cannot afford to do that.

All the impulses I used for these demos are from Redwirez. No EQ was applied, I just added a slight compression on some demos, and a bit of reverb so that it doesn't sound too dry.

These tests help to demonstrate how important the choice of an impulse is. From my experience, I would estimate that the sound you get is: 30% from the guitar you use, 30% from the amplifier head, and 40% from the impulse. Of course, these values will vary according to the pickup settings on your guitar, the settings of the amplifier, and the use of either a clean or a highly distorted sound will greatly influence the relative importance of these elements.

Microphone positioning

Microphone positioning    Microphone positioning
(pictures: copyright Redwirez)

The closest the microphone from the center of the speaker, the less proximity effect you get, and so you get less lows.
The closest the microphone from the cab, the more precision you get. By moving the microphone farther, the sound becomes less "harsh".

"Back in black" by ACDC

A good old-school Hard Rock sound from the early 80s for this famous riff by ACDC.

Guitar on the left:
1 impulse of Marshall 1960A cab (loudspeaker: G12M) through a microphone Neumann U67 in Cap Edge position, at a distance of 2 inches (5 cm). Stereo panning: 100% left.
1 impulse of Marshall 1960A cab (loudspeaker: G12M) through a microphone Neumann U87 in Cap Edge position, at a distance of 4 inches (10 cm). Stereo panning: 100% left.

Guitar on the right:
1 impulse of Marshall 1960B cab (loudspeaker: V30) through a microphone Shure SM57 in Cap Edge position, at a distance of 1 inch (2.5 cm). Stereo panning: 100% right.
1 impulse of Marshall 1960B cab (loudspeaker: V30) through a microphone Royer R-121 in Cap position, at a distance of 3 inches (7.6 cm). Stereo panning: 100% right.

Impulses from Redwirez.

"Le Freak" by Chic

From what I've read, Nile Rogers, Chic's guitar player, doesn't use an amplifier. He plugs his guitar (a stratocaster nicknamed "The Hit Maker") directly into the studio's console preamp. As the objective here is to test amp simulations, I obviously won't do the same. In order to get this clear high sound, I used the following cab impulses:

Guitar on the left:
1 impulse of Fender Dual Showman cab (loudspeaker: JBL D130) through a microphone AKG C414B-ULS in Cap Edge position, at a distance of 4 inches (10 cm). Stereo panning: 100% left.
1 impulse of Fender Dual Showman cab (loudspeaker: JBL D130) through a microphone Neumann U47 in Cap position, at a distance of 2 inches (5 cm). Stereo panning: 50% left.

Guitar on the right:
1 impulse of Marshall '68 Basketweave cab (loudspeaker: Celestion G12H30) through a microphone AKG C414B-ULS in Cap position, at a distance of 4 inches (10 cm). Stereo panning: 100% right.
1 impulse of Marshall '68 Basketweave cab (loudspeaker: Celestion G12H30) through a microphone Neumann U47 in Cap Edge position, at a distance of 4 inches (10 cm). Stereo panning: 50% right.

Impulses from Redwirez.

"Personal Jesus" by Depeche Mode

This riff was originally played on a Gretsch guitar, through a Rivera Venus 5 amp head and a Rivera 2x12 cab equipped with Celestion G12T-75 loudspeakers. I don't know how the original studio recording was made, but live, the sound is transmitted by a Shure SM57 microphone, and a Shure KSM32 microphone, both placed against the cab cloth. I don't have any KSM32 impulse, but from the actual microphone response diagram, it seems that the closest response curve is that of the Earthworks TC30 microphone, for which I have impulses from Redwirez. Also, I don't have an impulse from the Rivera cab originally used by Depeche Mode, but I do have Marshall and Bogner cabs impulses, both equipped with G12T-75 loudspeakers. I used the following cab impulses:

Guitar on the left:
1 impulse of Bogner Uberkab cab (loudspeaker: Celestion G12T-75) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 100% left.
1 impulse of Bogner Uberkab cab (loudspeaker: Celestion G12T-75) through a microphone Earthworks TC30 in Cap position against the cloth. Stereo panning: 100% left.

Guitar on the right:
1 impulse of Marshall 1960B cab (loudspeaker: Celestion G12T-75) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 100% right.
1 impulse of Marshall 1960B cab (loudspeaker: Celestion G12T-75) through a microphone Earthworks TC30 in Cap position against the cloth. Stereo panning: 100% right.

Impulses from Redwirez.

"Stairway to Heaven" solo by Led Zeppelin

Undoubtedly one of the most famous solos ever, a true standard that I couldn't ignore here. It was played by Jimmy Page with a Fender Telecaster and a Supro amplifier, from what I could find.

Guitar on the left:
1 impulse of Supro Thunderbolt cab (loudspeaker: Jensen 15") through a microphone Sennheiser MD409 in Cone position, at a distance of 2 inches (5 cm). Stereo panning: 10% left.

Guitar on the right:
1 impulse of Supro Thunderbolt cab (loudspeaker: Jensen 15") through a microphone Neumann U87 in Cone position against the cloth. Stereo panning: 10% right.

Impulses from Redwirez.

"Enter sandman" by Metallica

Another Metal sample from a well-known song by Metallica. Here, I leave the lows in their central position, I lower the mids quite a bit and raise the highs. The saturation is also pretty heavy, depending on the amp sim tested.

Guitar on the left:
1 impulse of Mesa Rectifier cab (loudspeaker: V30) through a microphone Sennheiser MD421N in Cap position, at a distance of 2 inches (5 cm). Stereo panning: 100% left.
1 impulse of Mesa Rectifier cab (loudspeaker: V30) through a microphone Beyerdynamic M160 in Cap position, at a distance of 1 inch (2.5 cm). Stereo panning: 50% left.

Guitar on the right:
1 impulse of Roland Jazz Chorus 120 cab (loudspeaker: Roland 12) through a microphone Royer R-121 in Cap Edge position, at a distance of 4 inches (10 cm). Stereo panning: 100% right.
1 impulse of Roland Jazz Chorus 120 cab (loudspeaker: Roland 12) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 50% right.

Impulses from Redwirez.

"J'ai vu" by Niagara

Great riff in E minor for this Blues Rock song by Daniel Chenevez, guitar player from the 1984-1993 French band Niagara. The original song is played on Marshall amps with a LesPaul guitar, paired with a Stratocaster, but I don't know what amps, stomp boxes or settings were used. To try to get close to the original sound, I used the following cab impulses:

Guitar on the left:
1 impulse of Marshall 1960A cab (loudspeaker: G12M) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 100% left.
1 impulse of Marshall 1960A cab (loudspeaker: G12M) through a microphone Beyerdynamic M160 in Cap Edge position, at a distance of 0.5 inches (1.3 cm). Stereo panning: 100% left.

Guitar on the right:
1 impulse of Marshall 1960B cab (loudspeaker: JBL K120) through a microphone Shure SM7 in Cap position, at a distance of 2 inches (5 cm). Stereo panning: 100% right.
1 impulse of Marshall 1960B cab (loudspeaker: JBL K120) through a microphone Neumann M8 in Cap position, at a distance of 6 inches (15 cm). Stereo panning: 100% right.

Impulses from Redwirez.

"Smells like teen spirit" by Nirvana

This famous song starts with a crunch guitar that turns into a heavy saturated sound. The original piece was played by Kurt Cobain on a Fender Mustang left-handed guitar. The information about the amp and cab used for the recording are contradictory but apparently, he often used Marshall 1960A cabs. These are the impulses that I used:

Left guitar:
1 impulse of Marshall 1960A cab (loudspeaker: G12M) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 30% left.
1 impulse of Marshall 1960A cab (loudspeaker: G12M) through a microphone Beyerdynamic M160 in Cap Edge Off Axis position, at a distance of 1 inch (2.5 cm). Stereo panning: 90% left.

Right guitar:
1 impulse of Marshall 1960A cab (loudspeaker: G12M) through a microphone Royer R121 in Cap Edge position, at a distance of 2 inches (5 cm). Stereo panning: 30% right.
1 impulse of Marshall 1960A cab (loudspeaker: G12M) through a microphone AKG C414 in Cap position, at a distance of 2 inches (5 cm). Stereo panning: 90% right.

Impulses from Redwirez.

"Wonderwall" by Oasis

One of the most famous songs from Oasis, and probably one of the most covered songs around campfires. The original version is played with an acoustic guitar, so having it played here with an electric guitar might sound a bit strange, but this shows the ability of amp sims to offer a clean, and if possible a warm sound.

Left guitar:
1 impulse of Marshall 1960B cab (loudspeaker: V30) through a microphone Shure SM57 in Cap position, at a distance of 4 inches (10 cm). Stereo panning: 100% left.
1 impulse of Marshall 1960B cab (loudspeaker: V30) through a microphone AKG C414B-ULS in Cap position, at a distance of 6 inches (15 cm). Stereo panning: 100% left.

Right guitar:
1 impulse of Vox AC30 cab (loudspeaker: Silvers) through a microphone Electrovoice RE20 in Cap position, at a distance of 4 inches (10 cm). Stereo panning: 100% right.
1 impulse of Vox AC30 cab (loudspeaker: Silvers) through a microphone Neumann U47 in Cap position, at a distance of 2 inches (5 cm). Stereo panning: 100% right.

Impulses from Redwirez.

"Time" solo by Pink Floyd

The purpose here is to reproduce David Gilmour's great solo and see what simulators are capable of when you have to put your guitar sound up front. The original song uses the distorsion from a fuzz pedal (FuzzFace) but in these demos, I don't use any pedal. I used the following cab impulses:

1 impulse of Hiwatt SE4123 cab (loudspeaker: Fane) through a microphone AKG C414B-ULS in Cap position, at a distance of 0.5 inches (1.3 cm). Stereo panning: dead center.
1 impulse of Hiwatt SE4123 cab (loudspeaker: Fane) through a microphone Royer R-121 in Cap position, at a distance of 0.5 inches (1.3 cm). Stereo panning: dead center.

Impulses from Redwirez.

Simon's Blues

Simon Chenu created this short Blues demo especially for the Grebz website. The demo helps judging the ability of amp sims to generate a good old Blues sound. Please note that I added a spring reverb simulator (SpringAge from Overloud) to stick to the ambiance.

Guitar on the left:
1 impulse of Fender Deluxe Reverb cab (loudspeaker: Oxford 12K5-6) through a microphone Neumann U87 in Cap Edge position against the cloth. Stereo panning: 40% left.
1 impulse of Fender Deluxe Reverb cab (loudspeaker: Oxford 12K5-6) through a microphone Shure SM57 in Cap Edge Off Axis position against the cloth. Stereo panning: 20% left.

Guitar on the right:
1 impulse of Vox AC30 Blues cab (loudspeaker: Blues) through a microphone M8 in position Cap Edge position, at a distance of 0.5 inches (1.3 cm). Stereo panning: 40% right.
1 impulse of Vox AC30 Blues cab (loudspeaker: Blues) through a microphone Audix i5 in position Cap Edge Off Axis, at a distance of 2 inches (5 cm). Stereo panning: 20% right.

Impulses from Redwirez.

Simon's Metal

Simon Chenu created this short Metal demo especially for the Grebz website. The demo helps judging the ability of amp sims to generate a Modern Rock sound.

Guitar on the left:
1 impulse of Engl Pro 4x12 cab (loudspeaker: V30) through a microphone Shure SM57 in Cap position, at a distance of 1 inch (2.5 cm). Stereo panning: 100% left.
1 impulse of Engl Pro 4x12 cab (loudspeaker: V30) through a microphone AKG C414B-ULS in Cap position, at a distance of 1 inch (2.5 cm). Stereo panning: 50% left.

Guitar on the right:
1 impulse of Marshall 1960B cab (loudspeaker: V30) through a microphone Shure SM57 in Cap Edge Off Axis position, at a distance of 1 inch (2,5 cm). Stereo panning: 100% right.
1 impulse of Marshall 1960B cab (loudspeaker: V30) through a microphone Sennheiser MD421N in Cap Edge position, at a distance of 3 inches (7,5 cm). Stereo panning: 50% right.

Impulses from Redwirez.

"House of the rising sun" by The Animals

This very famous arpeggio was recorded in 1964 by Hilton Valentine, guitarist of The Animals, with a Grtesch Tenessean guitar and a 30-watt Selmer Twin Selectortone amplifier. I don't have any impulses from this amp, so I picked other cabinets that are good for clean sounds: the Fender Deluxe Reverb and the Vox AC30, which became the amplifier of choice for The Animals after the Selmer.

Guitar on the left:
1 impulse of Fender Deluxe Reverb cab (loudspeaker: Oxford 12K56) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 100% left.
1 impulse of Fender Deluxe Reverb cab (loudspeaker: Oxford 12K56) through a microphone Neumann U47 in Cap position against the cloth. Stereo panning: 100% left.

Guitar on the right:
1 impulse of Vox AC30 Blues cab (loudspeaker: Blues) through a microphone Neumann U87 in Cap position against the cloth. Stereo panning: 100% right.
1 impulse of Vox AC30 Blues cab (loudspeaker: Blues) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 100% right.

Impulses from Redwirez.

"Long Train Running" by The Doobie Brothers

This demo allows to see how well amp sims can produce crystal-clear sounds.

Guitar on the left:
1 impulse of Fender Deluxe Reverb cab (loudspeaker: Oxford 12K56) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 100% left.
1 impulse of Fender Deluxe Reverb cab (loudspeaker: Oxford 12K56) through a microphone AKG C414B-ULS in Cap position against the cloth. Stereo panning: 50% left.

Guitar on the right:
1 impulse of Mesa Rectifier cab (loudspeaker: V30) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 100% right.
1 impulse of Mesa Rectifier cab (loudspeaker: V30) through a microphone AKG C414B-ULS in Cap position, at a distance of 4 inches (10 cm). Stereo panning: 50% right.

Impulses from Redwirez.

"Seven Nation Army" by The White Stripes

The purpose here is to get a vintage, raw sound. The impulses I chose are made after cabs equipped with Jensen loudspeakers, that Jack White seems to be very fond of. The original guitar sound is difficult to reproduce with amp sims alone, as Jack White used a Digitech Whammy stomp box, set down an octave, whereas I only use the amp in the demos.

Guitar on the left:
1 impulse of Fender Twin cab (loudspeaker: Jensen C12N) through a microphone Beyerdynamic M160 in Cap Edge position against the cloth. Stereo panning: 75% left.
1 impulse of Fender Twin cab (loudspeaker: Jensen C12N) through a microphone Neumann KM84 in Cap Edge position against the cloth. Stereo panning: 25% left.

Guitar on the right:
1 impulse of Fender Tweed Bassman cab (loudspeaker: Jensen P10Q) through a microphone Sennheiser MD441 in Cap Edge Off Axis position, at a distance of 2 inches (5 cm). Stereo panning: 75% right.
1 impulse of Fender Tweed Bassman cab (loudspeaker: Jensen P10Q) through a microphone Earthworks TC30 in Cone position against the cloth. Stereo panning: 25% right.

Impulses from Redwirez.

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Ym_trainz
11/11/2017, 00h35

Merci pour ce tuto !
Le seul bémol que j'apporterais, c'est la dynamique finale : ne pas céder au chantage mais rester à -14 / -12dB RMS si on exporte sur CD. En revanche, -12 / -11 dB pour un mp3 192kbps paraît acceptable.
Ym_trainz

* * * * * * * * * * * * * * * *

Oui, dans la mesure du possible, je confirme que c'est bien de rester à des niveaux inférieurs à -12dB. Il faut tendre vers ça le plus possible. Mais en arrivant à -10dB dans mon exemple, je fais malgré tout déjà mieux que la plupart des albums actuels.
Quant à l'export CD, il est quand même de plus en plus rare. La plupart des gens écoutent désormais leur musique depuis leur téléphone portable, et bien souvent en mp3. Et honnêtement, la différence entre un fichier wav et un fichier mp3 à 320 kbps est indiscernable pour 99 % des gens. Même à 192 kbps, rares sont ceux qui sont capables d'entendre la différence, surtout quand c'est écouté au travers d'écouteurs ou d'enceintes bas de gamme ou moyenne gamme.
Grebz



Doum66
10/20/2017, 09h00

Bonjour et merci pour votre site sur la MAO que je ne connaissais pas il y a encore quelques mois.
Je suis sur PC Windows 10 système 64 bits, séquenceur Reaper. J'aurais voulu savoir comment récupérer les réglages des presets (.fxp). J'ai téléchargé le preset exemple pour les amplis LePou, je l'ai enregistré dans mon répertoire VST, et là je ne sais pas comment récupérer le réglage. Autre petite question, dans le preset, y a-t'il la définition et le réglage des impulsions ? Merci d'avance et encore merci pour toute l'aide que fournit votre site.



Mercenario
08/08/2017, 08h22

Hi, I am from Guatemala, thanks for all the information about music, I am learning here. Cheers !!!!!



seipstar
06/26/2017, 02h21

Bonjour, je fais mes compos avec zommR8 et cubase LE8 (et ma strato)et mes sons leads j'accroche pas alors que c'est justement ceux que je recherche. Une grande variété de sons "légers", non métal ou lourd. Tu aurais un vst à me conseiller ? payant ou gratuit.
Je viens de découvrir ton site c'est juste trop TROP bien, j'ai pris plein de trucs à l'instant mais j'ai pas encore essayé.
Merci d'avance pour ton aide

David

ps: suis sur pc windows 10 64bits 4g de ram
ps2: c'est peut-être le second message que tu reçois car j'ai pas eu confirmation du précédent



Greg1400
06/12/2017, 07h09

Bonjour,
Je débute dans la MAO, je voudrais tout simplement jouer via un irig branché sur mon Mac et avoir des simulateurs d'amplis gratuits (et oui, c'est la crise :-) ). Je pensais qu'avec Audacity et les plugins Lepou ça collerait mais je n'y arrive pas. Je précise bien que je ne veux pas forcément m'enregistrer, mais juste jouer, y a-t-il une solution pour moi ? Je le répète, je suis débutant, merci donc de votre compréhension et de vos explications simples. Musicalement.

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